His first guitar was a 1970 or 1971 Gibson SG Standard finished in walnut and featuring a Lyre Maestro tremolo bridge. In Young's case, his guitar choice is the Gibson SG, which he used basically from the start. Because you can clean it up [through a PAl and make it sound completely different than what they really sound like. A lot of times you'll hear bands and it's a different sound coming out than what's on stage. How does Angus Young get his sound?Īll the sound comes directly from the amps. On top of that, you have Angus Youngs blues-inspired lead licks with the amp cranked up to ten. The bass drives the low-end and the rhythm from the drums and rhythm guitars is what really makes the tracks. The ACDC sound is quite dry, so you won't need modulation, delay or reverb pedals. Now, we have got the complete detailed explanation and answer for everyone, who is interested! If they don’t sound quite right with your rig, don’t panic! In the next section I’ll be addressing common problems and how to fix them.This is a question our experts keep getting from time to time. The following example settings are to be used as a starting point and are not the exact settings used by Young. Now the fundamentals have been taken care of, it’s time to dive into some of AC/DC’s most popular songs. Also, using an overdrive/ distortion/ boost pedal can be useful for solos. You may want an overdrive/ distortion pedal instead of using the gain on your amp though. You don’t need to worry too much about effects pedals as Angus Young is known for having quite a basic rig. Make sure you also check out the brand-specific amp controls guide which is relevant to you, to get the most from your rig: Check out my complete guide to amplifier controls to learn how to adjust these controls and many more to get the best settings possible. Some amps also have other controls such as presence and contour. As a general rule, if you’re using single coil pickups then you’ll need to increase the bass and mids and decrease the treble, whereas if you’re using humbuckers then the opposite is true. In the studio, Angus Young used a Marshall 1959 Super Lead Plexi head through a full stack of Marshall 1960AX and 1960BX 4x12 cabinets and a 1970 Gibson SG Standard guitar. Of course, the exact settings needed will depend on the song, as well as the guitar and amp you’re using. Lowering the mids may be needed if you’ve tried lowering the treble and find that the tone loses too much definition with that tweak. If the guitar’s tone is getting lost in the mix then increase the mids, however if it sounds like it’s taking over then you can lower it. The mids usually sound best on around 5-6 for most songs. The mids control adjusts how full the tone is and is important for AC/DC’s style of music. If it sounds thin then you can increase it. If the tone is too loose and muddy, decrease the bass. In general, most songs will sound about right with the bass on around 4-5. The bass control adjusts the low-end frequencies and dictates how warm and full the tone is. If your tone needs more definition then increase it and if it sounds too harsh and is interfering with the vocals too much then decrease it. This should be fairly moderate-high for AC/DC so start with it on 7 to begin with. The treble control adjusts high-end frequencies and dictates how crisp and bright the tone is. Some amps have separate bass, mids and treble controls to give you more freedom, whereas others have a single EQ/ tone control which blends them into a single control. You’ll also need to adjust the EQ of your amp to ensure the tone matches Young’s more closely. In this case, set your pedal so the gain is midway and have the gain on your amp very low. This is a good choice if you have an entry-level solid state amp as it usually sounds more refined and less muddy. Some players may prefer to use an overdrive or distortion pedal run into a clean amp channel in order to get their gain. If you have a tube amp then you’ll likely need to crank this up quite high to achieve the appropriate level of distortion. Most most songs you’ll need the overdriven channel and should start with the gain set to 6 to give you plenty of distortion to play with but without it sounding overly heavy. Most players reading this article are likely to be using a solid state amp with an individual gain control and two channels (clean and overdriven). There are two main types of amp: solid-state and tube amps. Let’s take a look at each of them individually. There are 3 main aspects to address here: Before we jump into some specific songs, I think it’s a good idea to understand the fundamentals of each control on an amplifier and how to adjust this to get a strong starting point to achieve Angus Young’s iconic electric guitar tone.
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